Camera Stands

Camera stands basically come in three forms—monopods, tripods, and pedestals—although several variations exist within each. These stands provide stability and controlled visualizations in many different environments and on many different terrains. Examples of stands would be the macro camera stand for long-range shooting, studio camera stand for indoor shooting having controlled lighting, and video camera stands for facilitating action sequences either indoors or outdoors.

Monopods are characterized by a single leg with retractable feet, tilt-top heads for camera rotation and panoramic movements, fluid cartridges that increase lubrication in shifting parts, an adjustable neck that offers a wide range if height capabilities, and a pivotal function to instill constant balance on especially rough and uneven surfaces. These would normally be employed by professional journal photography, photographic enthusiasts and those who freelance in landscape photography.

The tripod camera stand features, of course, three legs. Some tripod models have what are called “double legs” because they are constructed with strands of reinforced steel. Hama, Lubrec and Manfrotto, three dominant tripod manufacturers, offer versatile and sophisticated designs that include claw-ball, tilt functions, and triple legs that help maintain balance; and a pan bar, and slide plate, and large lock leveler necessary for camera or camcorder movement. These are usually used by model photographers, small film production dealing with outdoor film clips and research photography.

The pedestals are rotary by nature and work on series of dollies, jibs, grips, boom, and end cranes. These are commonly found in large studios and used in TV and movie productions. Unlike the monopods and tripods, these camera stands actually move to accommodate angles and panning for wide shots. Because of this capability, the pedestals can be considered the more sophisticated and dynamic of the three camera stands and are designated as professional status equipment.

All camera stands and a multitude of makes can be found online for those interested in upgrading their equipment. Any camera stand or camera stand parts should be compared with others for the best possible deal.

Camera stands are contingent on the type of shooting taking place, as well as the location and the other equipment being used. Camera stands are very versatile, but they are very selective as well, which means that, depending on the particular design and construction, camera stands are limited in their applications. This is why users should know exactly what they need before buying. Using the wrong kind of camera stand could mean not getting great photography.